Practicing

I think a lot about practicing. I think it’s a fascinating topic from at least two perspectives. The first being, of course, the act of doing something repeatedly with the intent of improving proficiency and gaining expertise. Then there’s the more monastic approach. The activity that is an end in and of itself. Every time I pick up an instrument or even a pen, my goal is to do both.

Over the past few months I have taken up a writing practice. That is to say, I keep a kind of day book that is independent from my journal. In it, I write for the sake of developing ideas, thoughts, and as a way of keeping things moving. The result is an increased desire to act on those thoughts. I make plans. Those plans are executed. Things get done. A complete win. The other thing that comes from it is a clear head. I think better after a session of even 15 minutes.

More writing leads to more sketches leads to more music leads to more happiness.

Crimson Guitars

This is a full on guitar nerd alert. I’m preparing to build an electric guitar as soon as the heat dies down some. As is my custom, I was doing some research into different shapes and specs. I did some quick searching on Robert Fripp’s guitar and came up with a link to the studio that makes his instruments. There is a build diary there that I can’t imagine getting sick of. Amazing work and really cool techniques. Definitely worth a look!

Crimson Guitars Build Diary: http://www.crimsonguitars.com/rf-hollow-prototype-build-diary

Seriously Summer

Seriously Serving the Work

Is there any sin a creative person can commit that is worse than taking himself too seriously? Even a genius with a lifetime of brilliant work loses some credibility when it becomes clear that he’s doubling up on the gravitas. I catch myself doing this a lot. It happens most frequently when I am trying to motivate myself. I make what I’m doing seem so important and so dire that I usually wind up faking myself out.

Everything should be taken exactly as seriously as it needs to be and not a bit more or less.

Summer dreams

Thoughts like this only come to me in the summer. It’s something to do with the heat and my inability to do anything useful. The long days and heat make moving difficult and coherent thoughts aren’t as plentiful as they need to be for anything to get done. I can’t help but think that this is why we always read about famous writers and artists going to the ocean for the summer and living like wild animals in villas. Me? I have no villa. I have a nice deck that I can’t sit on when the temperatures hit the triple digits and a lawn that needs mowing. I retreat to the comfort of the ceiling fans and ice water at the very thought of moving.

In these long, hot days it’s very difficult to find that balance. The trigger needs to be tripped and it feels like the mechanism is rusted shut. I’m sure this has something to do with the academic calendar and the way that it drills “Summer Is Slack Time” into the mind of those of us who took our education a little too far. Thus in the summer, only the important things get done. The really important things. Like reading light novels and taking road trips. Or sitting very still on the couch and ignoring the sweat. It’s easy to see why one might resort to over-inflating the importance of one’s work simply to get the butt off of the couch and into the studio.

The summer requires a different strategy. Single sitting exercises. Write a complete piece in one hour. Whatever is done when the time is up, is done. I’m writing a lot of songs that way right now. I give myself the benefit of some editing during my daily review, but for the most part I’m knocking out stuff. It will turn into something when the time is right. Maybe it’s the creative equivalent of laying in stores for the long winter ahead.

Summer

It’s summer in Texas. That means temperatures in the triple digits. Pain and suffering for those of raised at a moe comfortable latitude. Getting into the studio isn’t easy. Add to the baby and life in general the exhaustion that comes from the day to day moving in this heat and there isn’t much energy left for anything.

That said, I have been stealing time. I looked in my week for more time to devote to my projects – those things that make me who I am. The weekends are full, but not the early mornings. So I’m getting up before the sun to sneak in an extra hour or even 90 minutes before my son comes asking for pancakes. It has been pretty great.

HOT!

In the early morning my house is still. I can play around with instruments or work on my written projects. It’s the time equivalent if finding s twenty in a jacket you haven’t worn in a long time. I’ve made some progress on something that I meant to start a long time ago and even stuck a few new bits and pieces into my manifesto project. All told, it’s a win. Can’t recommend it enough. In fact, getting up early on the weekends might surpass my beloved iPad by the end of the year in terms of improving production in my creative work.

Maybe.

I have been on a writing tear, so I have lots of raw material and nothing to share. That sucks because I would like to post something every other week, but I can’t commit to that. Hopefully the last two tunes I posted count for something. As the summer wears on I will have more. Probably more of my weird sound art. You know, the stuff people for the most part don’t enjoy.

This is a long way of saying I have nothing to share but I did post to the blog this week.

Dreaming Big, Living Small

I’m still hacking away on my manifesto. The more I dig in, the more there is to say. Here’s a little more from my working copy. The more I post of it, the more likely I am to finish it.

The image that sprung to mind when I first started thinking about what it means to try and live parallel lives was of running a marathon while dragging a grand piano. It stuck with me and for whatever reason has become iconic for me. After all, who would do that? No one. Maybe. But even as we start off on the race with our many-toothed beast in tow, our idea of success clings to us and is just as unreasonable as the race we’ve undertaken. Our dreams are stubborn and do not readily accept change.

When we are starting on the path in whatever endeavor found us, it is hard to imagine what real success looks like. There are too many bloated and false ideas of what it means to do something great. We imagine crowded galleries, large checks, and much ink spilled over our greatness. And then, if we are lucky, we have our first real success and see what it really means.

The first time I nailed the difficult arpeggios in Villa-Lobos’ Etude No. 11 I was in a practice room all alone. I played it perfectly twice. Once in that practice room and once in my quarterly jury. A seed was planted there. An idea started to form. A definition of success was trying to make its way into my consciousness.

I’ve known painters who, upon the completion of a canvass, will step back and revel in the beauty of what they have done only to be seized with the sudden urge to hide it forever. That moment of perfection is so personal. The thought of miscommunication or criticism was just too much. That doesn’t mean that the work wasn’t shared, it means that what drove them to create was very private. Success is private.

This is the age of The Almighty Internet and as such we are hounded by the idea that everyone should see what we do. What if we turn that on its side and say that we have the ability to reach people who might care. That’s a very worthy goal. We should try to reach everyone who cares, but no more. Trying to make someone who doesn’t necessarily want or need our work take it is the evil side of sales. If we have relieved our work of the burden of keeping us fed then why add the pressure of being loved by everyone?

My dream is still to have 200 people who are interested in my work and follow it but my ultimate goal is to write something that someone would call their favorite. Just one person. One connection. That seems like a low bar until we try to clear it.