new music: out of bounds [instrumental]

Here we go! Back to the “one new track per week” plan again. This year, I’m all over posting sketches and anything that is in progress. The track for today will (someday) have vocals and some other niceties, but I feel that it works pretty well as an instrumental.

For the past few months I have been all over the place stylistically and in this instance I am back in my acoustic guitar comfort zone. Have a listen and drop me a line.

Out Of Bounds

Creative Commons License
Out Of Bounds by J.C. Wilson is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at www.othertime.com.
Permissions beyond the scope of this license may be available at http://othertime.com.

collaboration

Maybe the one thing that the Internet does well is put people with a purpose in touch with one another in such a way as to allow important things to get done. For me, important things are almost always related to music. I’m doing a lot of work now with a friend who is a short drive to Austin away and another who is up in the frozen hinterlands known to the locals as “Canada.” I’m shuffling a lot of bits back and forth across these intarwebz and actually seeing some promising results.

huh?

Working with people at a distance on something as temporally volatile as music isn’t ideal. I much prefer sitting on the couch in my living room with the people I’m playing with so we can build something up and enjoy the give and take. A little eye contact to see when things are going to get quiet. Or watching hands to see what I just screwed up so I don’t do it again. It’s instant feedback and everything is so malleable.

Playing with a recording is like playing with a ghost. But playing with a ghost is better than being alone. Unless you’re in a “Poltergeist” movie. Or that one movie about the house that dripped blood. That was gross.

What I mean is that it’s difficult to play off of that wall that is the recording. It can be unnerving, that lack of responsiveness. Music is all about give and take and that constant flux. It isn’t all lost in a situation like this, but it’s harder to see it that way. What slowly changes is the way what’s played relates to what is recorded. Imperfections in the recording take on a different character and define what comes later. And in the give and take that happens over hours or days the natural cooling off period allows for a more critical eye. In many ways dragging out the process can improve it.

That sounds like a great way to dress up the fact that my friends don’t live next door and that I can only record at weird hours anyway.

There are a couple of things underway right now and hopefully there will be tunes to share in the very near future. I’m slowly becoming OK with sharing things that are in progress as a way of keeping myself honest. It doesn’t have to be finished, it just needs to be done. Watch this space for more tunes soon.

the green man collection

A few years back I recorded and released a hastily compiled album called The Green Man Collection. It was primarily solo acoustic guitar arrangements. It’s a sparse collection. The material is isolated, much like I was at the time it was recorded. The sessions, such as they were, consisted of me sitting by myself in the living room of a very drafty house in Iowa with GarageBand and a single mic. I cleaned up some of the tracks later after my move to Texas, but most of the work was done in the glow of street lamps and my laptop. Something like that sounds romantic when Bon Iver does it but in reality it’s just cold and lonely. I hope the music doesn’t feel that way.

I put the album out on a iTunes and emusic and other places. It sold well enough to recoup the cost of the CDs I pressed and the printer I bought to label them. Not bad for a first outing. Years later, it seems like it would make more sense to just put it out for free. So that’s what I’m doing. Feel free to download and enjoy!

01 charmed
02 elegy for a planter
03 lullaby for S
04 old friend
05 woodbox blues
06 open
07 strumming bird
08 nobody’s home
09 fantasy
10 e.o.w.
11 you are my sunshine (bonus track!)

Or you can get them in one big zip file: The Green Man Collection

Creative Commons License
The Greenman Collection by J.C. Wilson is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at othertime.com.
Permissions beyond the scope of this license may be available at http://othertime.com.

A Quick Cover

I have always loved the song “Here Comes The Flood” by Peter Gabriel. The version on Robert Fripp’s Exposure album. Jason and I talked about covering it a few times and I tried like hell to work it up on my own. During our recent recording session we did it up and were almost happy with it. Since that was a big “almost” we went back into our separate studios and did some Internet enabled asynchronous recording. The results are pretty keen. Take a listen and enjoy!

Here Comes The Flood by Peter Gabriel

Some New Music

My buddy Jason and I get together irregularly to sit around my living room, talk about music, and record whatever it is that we do. The results are often startling to us. Some things are just really good and some things, well, they’re fun. And funny. I edit out a lot of talking. I think that there was at least 30 minutes of recorded banter on the session from this past Sunday.

The results of our “work“ include:
        Perfect Sonnet by Bright Eyes
        Big Empty (country style) by Stone Temple Pilots
        Sparrow’s Wings an original composition with lyrics by our buddy Duff

If you have any trouble getting to the tunes, just hit this directory for scary stuff (updated sporadically): http://othertime.com/toxic/