{"id":501,"date":"2010-03-23T17:33:36","date_gmt":"2010-03-23T22:33:36","guid":{"rendered":"http:\/\/www.othertime.com\/musicblog\/?p=501"},"modified":"2010-03-23T11:36:02","modified_gmt":"2010-03-23T16:36:02","slug":"sitting","status":"publish","type":"post","link":"https:\/\/www.othertime.com\/musicblog\/?p=501","title":{"rendered":"sitting"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/othertime.com\/camera\/webpic66.jpg\" alt=\"pipes\" class=\"alignright\"\/><br \/>\nMost nights when I&#8217;m in the studio I have the laptop open and everything gets recorded.  I&#8217;ve been pretty successful with that approach for some time now and it&#8217;s a great way to capture things that I don&#8217;t necessarily want to take the time to write down.  It also creates a lot of scrap files that I can play with later.  It&#8217;s a great habit and maybe the only one that I would wholeheartedly recommend to any musician or composer.  Just record it all.  The flubs and everything.  It works.<\/p>\n<p>But sometimes I&#8217;m not in that head space.  Last night was one of those.  Instead, I sat on the floor of my room with a guitar and noodled.  The room was lit by a nifty little nightlight.  I learned years ago that practicing in the dark is good for the hands and ears.  It&#8217;s still true today.<\/p>\n<p>I picked and strummed for just under an hour.  Long enough to get my fingers moving but not long enough to engage anything serious.  Like meditation, I left the room feeling lighter and more focused.  When I record tonight I&#8217;m sure the work will be better for it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most nights when I&#8217;m in the studio I have the laptop open and everything gets recorded. I&#8217;ve been pretty successful with that approach for some time now and it&#8217;s a great way to capture things that I don&#8217;t necessarily want &hellip;<\/p>\n<p class=\"read-more\"><a href=\"https:\/\/www.othertime.com\/musicblog\/?p=501\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17,12],"tags":[],"_links":{"self":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/501"}],"collection":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=501"}],"version-history":[{"count":4,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/501\/revisions"}],"predecessor-version":[{"id":505,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/501\/revisions\/505"}],"wp:attachment":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}