{"id":100,"date":"2009-01-24T12:11:59","date_gmt":"2009-01-24T20:11:59","guid":{"rendered":"http:\/\/www.othertime.com\/musicblog\/?p=100"},"modified":"2009-01-24T12:12:00","modified_gmt":"2009-01-24T20:12:00","slug":"whistling-in-the-dark","status":"publish","type":"post","link":"https:\/\/www.othertime.com\/musicblog\/?p=100","title":{"rendered":"whistling in the dark"},"content":{"rendered":"<p><a href=\"http:\/\/www.waynehenderson.org\/\">wayne henderson<\/a> is a brilliant luthier and guitarist.  i was lucky enough to see him at kent state university a million years ago (i think i was in high school at the time).  the bill included tal farlow and a pile of greats like that.  he&#8217;s an amazing showman and builds some beautiful guitars.  i highly recommend <a href=\"http:\/\/www.amazon.com\/Claptons-Guitar-Watching-Henderson-Instrument\/dp\/0743266366\/\"><em>Clapton&#8217;s Guitar<\/em><\/a> by allen st. john as it&#8217;s a great look inside how wonderful instruments get made and henderson&#8217;s story is a hoot.  yeah, i said &#8220;a hoot.&#8221;  there&#8217;s no other way to describe it.  you can also dig on some henderson in the current issue of <a href=\"http:\/\/www.fretboardjournal.com\/\">the fretboard journal<\/a>.<\/p>\n<p>why all the talk of henderson?  he has a bit of a reputation for really taking his time with getting his orders filled.  building a guitar or any instrument is a process.  it&#8217;s something that, once it has begun, has to be completed in once long run.  at least that&#8217;s how i see it.  it&#8217;s really tough when you stall out or get distracted.  i&#8217;m in that place right now with some instruments i&#8217;m building and honestly my attention has turned to churning out piles of electronica.  it&#8217;s a lot of fun but it feels like the instruments are being neglected.  i suppose it&#8217;s more about following what&#8217;s working and getting back to other things when there is time but it would feel really good to finish them.<\/p>\n<p>time is a precious thing these days.  in my position i feel like i need to go with what&#8217;s working and right now that&#8217;s weird stuff.  in that vein, i have some more to share.  this tune is based on some samples i captured a long time ago and some public domain items.  i will figure out the precise references soon enough and post them.  for now, please enjoy and drop me a comment.  i&#8217;m really enjoying the feedback i&#8217;m getting lately.  thanks!<\/p>\n<p><a href='http:\/\/www.othertime.com\/musicblog\/?attachment_id=101' rel='attachment wp-att-101'>whistling-in-the-dark<\/a><\/p>\n<p><a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0\/us\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http:\/\/i.creativecommons.org\/l\/by-nc-nd\/3.0\/us\/80x15.png\" \/><\/a><br \/><span xmlns:dc=\"http:\/\/purl.org\/dc\/elements\/1.1\/\" href=\"http:\/\/purl.org\/dc\/dcmitype\/Sound\" property=\"dc:title\" rel=\"dc:type\">whistling in the dark<\/span> by <a xmlns:cc=\"http:\/\/creativecommons.org\/ns#\" href=\"http:\/\/othertime.com\" property=\"cc:attributionName\" rel=\"cc:attributionURL\">j.c. wilson<\/a> is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0\/us\/\">Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License<\/a>.<br \/>Based on a work at <a xmlns:dc=\"http:\/\/purl.org\/dc\/elements\/1.1\/\" href=\"http:\/\/www.othertime.com\/musicblog\/?attachment_id=101\" rel=\"dc:source\">www.othertime.com<\/a>.<br \/>Permissions beyond the scope of this license may be available at <a xmlns:cc=\"http:\/\/creativecommons.org\/ns#\" href=\"http:\/\/othertime.com\" rel=\"cc:morePermissions\">http:\/\/othertime.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>wayne henderson is a brilliant luthier and guitarist. i was lucky enough to see him at kent state university a million years ago (i think i was in high school at the time). the bill included tal farlow and a &hellip;<\/p>\n<p class=\"read-more\"><a href=\"https:\/\/www.othertime.com\/musicblog\/?p=100\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,18,15,3,5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/100"}],"collection":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=100"}],"version-history":[{"count":4,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/100\/revisions"}],"predecessor-version":[{"id":105,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=\/wp\/v2\/posts\/100\/revisions\/105"}],"wp:attachment":[{"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.othertime.com\/musicblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}